1-1 experiment sessions in the studio I invited participants to come to my studio to take part in phase 2 of my research. This opens up to using the Ganzfeld and the Strange Face in the Mirror Illusion. Both use white noise connected to a system of biofeedback, using Galvanic skin response signals to subtly modulate the noise. Through this, I have been developing my interview technique and also the working questions that I ask. This has resulted in a new artwork which is taking the form of a questionnaire. Currently, I'm referring to it as the "Hall Anomalous Perception scale" a tongue in cheek reference to the Cardiff scale designed to asses experiences of anomalous perceptions in daily life. A participant
Documentation from the [Re]Mapping perception workshop at LJMU 2 May 2019 Here is the original invitation... A workshop for artists/researchers engaging in a wide range of practice-based and artistic research methodologies. It aims to explore interdisciplinary methods through a series of provocations in embodied multisensory experience, designed to enhance our perception and self-awareness. The workshop provides an open space for participants from different fields to meet, communicate findings, share paradigms, and explore the value of sensory perception and awareness in our research. It also offers an opportunity to meet Madeline Schwartzman and gain insight into the works discussed in her new book See Yourself X: Human Futures Expanded. Her public lecture follows the workshop [ Places can be booked here https://www.eventbrite.com/o/antony-hall-19862154602 ] [Re]Action Lab is an
The Ganzfeld [ 'total field' ] experiment is a form of perceptual deprivation, giving an experience of a uniform field of light [More information here] . has become a staple activity in my workshops. Rather than sitting still and listening to sounds I have been opening this up as a mobile activity, or 'navigation' as I have started to call it. It serves as an icebreaker, often requiring people to work in pairs to move through spaces, following ropes or sonic stimuli. The purpose is to heighten the participant's awareness through altering their perceptual experience of space. Participants become aware of new structures of light or start using the body in a different way in order to move, becoming more
Speaking with an artist while making plans for a future Action Lab, I came up with the idea of making these lenticular glasses [Above], which use a lenticular lens [textured with lines or ridges] which have the effect of dividing the visual field into lines. In an urban or interior space, vertical and horizontal lines are common. These become enhance or reduced depending on the orientation of the lens. Using the lens in a vertical alignment, steps become invisible, but when the lens is rotated they become enhanced. Using a combination of both things get even stranger. Point light sources create strong bright lines. I have yet these in a natural environment.
I teamed up with artist Annie Carpenter to pull together a small group of artists and friends for a night of ‘fieldwork’. We organised an overnighter to do some experiments and have discussions together in the relaxed atmosphere of Middlewood Trust study centre; an off-grid permaculture farm. I had worked here before with [Annie and Sam Illingworth] doing some workshops with their students on a previous 'field research' style project. The concept captured my interest. We wanted to create a situation where we could work as well as have time and space to chat about ideas with others. I decided rather than drive my car, I would take a few days out and make a road trip out of it and cycle.
[vimeo 75419053 w=640 h=360] James Turrell's Light Reignfall @LACMA - Andrew van Baal James Turrell's Light Reignfall Light Reignfall is a work from his series of perceptual cells, inside the participant is exposed to a uniform homogenous field of modulated light. A combination of sensory overstimulation, yet deprived of recognisable forms or space, hallucinatory effects are experienced. “Assisted by an attendant, an individual viewer enters a spherical chamber on a sliding bed. A program of saturated light (operated by a technician) surrounds the viewer for twelve minutes, allowing the visitor to experience the intense, multi-dimensional power of light and the complex seeing instrument of the human eye.” "James Turrell (b. 1943, Los Angeles), a key artist in the Southern California Light and Space movement
I met Martin Howse in 2009 when he invited me to do a workshop for his micro research series in Berlin. At the time he had a fantastic apartment with a large garage space for a studio. The large table at its centre became sprawled with electronics by the end of the day. I had the opportunity to take a look at some of his projects, wonderful hand-drawn circuits burnt and encrusted that looked more like remnants from some other device of unknown function. For this workshop we investigated Amplitude Modulation, turning light into sound, use of the LM chips as an amplifier and using light sensors as an input, and making LEDs and lasers transmit sounds and signals through light