At the beginning of the project with Gallery Oldham, I was given a list of local sites to visit, which would have been popular in the 19th century for collecting bryophytes. I have been collecting my own specimens from these sites, which will then be sent to Anthony Gregory, an expert Bryologist, for formal identification. These will then be sent back to the museum to be catalogued and become part of the museum's collection for posterity. I met up with Anthony for a riverside walk to get a crash course in bryology. We met at Greenbank train station and made our way to a footpath alongside the River Tame. We walked slowly, stopping regularly at tress and venturing down to
Short 4k walk through woods by River Medlock and canal paths designed as part of the Gallery Oldham Bryophytes project. Daisy Nook is a beautiful woodland following River Medlock, intersected by the old Waterhouses Aqueduct and Hollinwood canal. It has a mixture of woodland paths and gravely wide tracks beside the canal, which are all great for moss. Look out for Liverworts on the muddy banks near the footpath and river. Also, check the fallen trees for different moss. Routplotter.com https://www.plotaroute.com/route/1618255 The walk starts at a car park off the A627 walk into the woods and down to the riverside. Notice the damp stones by the river and many fallen trees with interesting mosses and liverworts. Following the trail, through the woods beside the River Medlock, you
This page has three walks that took place as part of the Gallery Oldham Bryophytes project. Two Loops around Kinder reservoir, starting from Hayfield [with a short 6k and long 14k option] the other from Edale [17k]. Both are challenging walks with plenty of hill climbing. Sturdy shoes, waterproofs and a map are recommended. Both of these walks centre around the River Kinder. Rain falling on the kinder plateau is absorbed into the blanket bog and slowly trickles out into a series of tributaries and gullies which slowly seep through the peat. These conjoin and meander across the plateau toward Kinder Downfall - a rocky outcrop where the river drops into the valley below eventually filtering into Kinder reservoir. In each walk, the diversity
Results from the Photography experiments, taken during the Contouring the Boundary Photography walk with Alison Loyd and Glass ball studios
Reflections on Contouring the Boundary I took part in ‘Contouring the Boundary’ a walk with Alison Lloyd [part of ‘Guide Lines’ [https://guideline.org.uk] and Glassball as part of their Guideline project. Alison described the walk as a 'micro navigation. We slowly walked part of the Peak District National Park boundary. During the walk, we were introduced to the idea of navigating using contours and a compass. It was good to be out with others since I have become so accustomed to working at a distance from others in recent times. View this post on Instagram A post shared by Glassball Studio (@glassball.studio) In particular,
A walking workshop with para lab. I created this bottle with instructions and hand-drawn illustrations, a different one for each bottle. We walked around manchester and collected mosses from some unusual sites, the route took us through some back streets and along the canal. Finally, we stopped at 'Home' constructed bottle gardens while chatting and drinking coffee.
A meander workshop proposal written for Para Lab, in response to a walking workshop by Ann Carragher with Proximity collective The meander like the ‘bimble’ is a method of walking research characterised by its semi-‘aimless nature’. The intention is that the multisensory relaxed and ‘rhythmical’ nature of walking allows for ‘slow observation’ and enables the participants to make new connections with the environment and between the participants though the discussions and actions along the way. Crucial to the meander is A the extraction of materials [physical samples, data, ideas] from the environment; this action demands a counter focus which cuts into the otherwise aimlessness of the walk. And B, The creation of the Delta Object; the subsequent sorting
I was invited by Annie Carpenter and Nicola Ellis to Allenhead Arts for a few days of art and science during the night of the Orionids meteor shower, hoping for clear yet dark skies. They had been resident artists there over the last few months https://www.acart.org.uk/ . In a continuing effort to make my activities more sustainable and portable, I decided to cycle from Penrith to a remote location in the heart of the North Pennines which boasts the darkest skies in the UK. I was one of the most hellish bike rides I have ever endured. And I am no stranger to big hilly bike rides. One of my typical problems when taking part in this kind of open-ended participatory creative