https://ecopedagogies.cargo.site/ Ecopedagogies Symposium 03 JULY 2024 - 11am-6pmHow can the integration of ecological interdisciplinary teaching methods in the arts and humanities stimulate creative and critical thinking about environmental relationships, rights, and responsibilities in the arts and humanities?Venue 1: The Firs Botanical Research Centre, UoM Panel 1: Ecopedagogies and the senses Chair: Clara Dawson Henry McPherson (UoM): ‘Ecological Improvisation’ Ghada Solimon (UoM): ‘Enhancing learning objectives through creative methods and hands-on activities: a case study of screen-printing using natural dyes workshops’ Ryan Woods and Raichael Lock (UoM): ‘Trees, ears and the space between: exploring pedagogies of reciprocity with primary school children in Manchester’ Moss walk to Manchester Museum, collecting mosses (led by Antony Hall, MMU/Spark Artists’ Network) Venue 2: Manchester Museum Panel 2:
Boundary detector, drawing 2024 Drawing of Boundary detector device, developed to accompany text for forthcoming publication with Glassball studio: Follow the development of this work here... https://antonyhall.net/blog/guideline-micro-commission/
This card pack was developed for a moss walk for the Eco pedagogies Symposium 2024. The walk traced a route between the Firs Botanical Gardens and Manchester Museum. In this iteration of the moss workshop, I discussed my emerging "methodology of moss" and the role of art as a perception-changing device. To develop the card pack I photographed each species of moss I found along the route and created a card for each one, including information on the numerous biomes encountered. These cards not only aid my learning and memorisation of moss species but also include prompts, instructions, texts, and readings that will enable others to facilitate their own walking and moss workshops in the future.
This year I started working with Touch Designer https://derivative.ca/. TouchDesigner is a multimedia visual programming environment with a node based interface for “Creative Coding”. I am learning how to combine sensors as control inputs for video and sound, the generative aspects are also fascinating. It is a steep learning curve (with pythonic code to learn along side this). I will post progress here... View this post on Instagram A post shared by Antony Hall (@tonazoid) View this post on Instagram A post shared
A day of field work, walking and talking with @glassball.studio we walked across a segment of the Peak District national park boundary, connected our boundary detector up to a fence to create a strange radio like circuit (also connected with a bat detectors as signal transducer) we could hear strange sounds emanating from the either. Initially we discovered we could almost perfectly receive Radio 4. With some further tweaking / breaking we were able to get a multitude of voices - “Hello…Hello… “ one said as if speaking to us. View this post on Instagram A post shared by Antony Hall (@tonazoid)
I visited the Isle of Wight to find out more about the Art ecology group and their #vertipool project (and generally chat about moss and urban / eco design). They have an Interesting ideology of hyper-local working and employ a methodology that resists consumerist mass production models (many #greenwalls and moss tiles are patented technologies that require energy and are tied into maintenance contracts. Alternatively Art Ecology take more of an open source socially engaged approach, working with communities and training people to help make the pools (which are best made by hands). This hand making approach allows for a greater speed of making and building in complex structural features, nooks crannies and overhangs, that would not be possible with
A couple weeks ago I took people on an urban moss walk for Spark#9 a monthly meeting organised by @sparkartistsnetwork @castlefieldgall . It was a short walk (only half of what I planned) mostly staring at damp walls under bridges. This particular bridge is host to an unusual (in an urban context) liverwort called Metzgeria furcate clinging onto existence in this cave like environment. Under another bridge just down the road, a more common but impressive Great Scented Liverwort - Conocephalum conicum grows in ring like formations over the walls (Liverworts are bryophytes like moss). We rounded up the walk at the recently reopened @mcrmuseum where we talked and made terrariums. It was heartening to have such a good turn out –
The question, "But, what is that you actually do?" [1] was posed to me as an impressionable master's student [2] after having presented my entire portfolio of work; the question perplexed me because, at that time, my practice was still developing, and I still wasn't entirely sure what it was that I was doing. Later as an emerging professional artist discussing practice, this straightforward yet wise advice was given by a curator; 'Think of a thing that you do, and keep doing it' [3]. The thing was, even though there was clearly 'a thing that I did', having embarked on the foundational works that would inform my practice for many years to come, it took years to realise what it really was that I did. My Tabletop Experiments
I am delighted to announce I was awarded a DYCP grant from Arts Council England to develop my creative practice, enrich networks and also undertake training. I plan to meet mentors and fellow artists for a series of creative collaborations and conversations. Here are some highlights from the project: Highlights will be posted on this page while a series of posts are listed on the following tag: https://antonyhall.net/blog/tag/ace-dycp/ View this post on Instagram Moss Walk for SPARK artists Network A post shared by Antony Hall (@tonazoid) Now is the Time of Moss 2022 - A series of 10 terrariums created from found materials
17/09/2022 Second Workshop at Longdendale Environmental Centre as GUIDEline project with Glassball Studios: In this workshop, we continued to work on our boundary detectors; moss terrariums with carbon and aluminium layers which act as electrodes. In my test, I used moss growing on a carbon graphite felt layer (the anode), over a granular substrate of Zeolite (the electrolyte, but in the workshop, we used grit and mud collated from the boundary). The base of the jar is covered with aluminium foil (the cathode). As the moss photosynthesises and microbes do their thing - electrons are exchanged between the two electrodes generating electricity (more info on the science at end of this post). However, it is as yet unclear exactly how
1/09/2022 Workshop / Longdendale Environmental Centre / GUIDEline project with Glassball Studios: We met at Longdendale environmental centre for a day of walking and micro exploration, following a segment of the peak district boundary. The idea was to walk slowly, looking closely while collecting samples (microscopic creatures, plants, minerals, sounds), and explore how these things interact within the hypothetical space of the boundary space. Above: Image by Cora Glasser / Glassball Studios. We discussed 'boundary layers' the spaces or microenvironments existing on surfaces or between objects and the free-flowing stream of air (gasses, humidity) and light. Mosses exist at specific boundary layers, miniature forests which act like environmental bubbles, trapping moisture, and creating shelter. Moss and other small plants Algae, and Lichen
Hi - I have a few things coming up that I am excited to share (and since I don't do newsletters often, I added a paragraph to cover the last 4 years). I also got some ACE DYCP funding which will keep my research on ecology and perception going into 2023! This summer, I have been busy with Field Station at Art bomb and exploring the Peak District National Park boundary as part of the GUIDline project with Glassball studios. This week I am showing at the British Science Festival Leicester. Next week I am exhibiting with the para lab group (showcasing collaborations between artists and scientists) and running a moss and micro-terrarium workshop as part of Unintended consequences at Quarry Bank Mill. Follow hyperlinks or scroll down for dates
Documentation from the Mirro Gazing workshop as part of the British Science Festival 14th Sept. The workshop was broken into 20min slots over the day and took place inside a black-out tent on the grounds of De Montfort University outside the gallery. View this post on Instagram A post shared by Dr. Antony Hall (@tonazoid) https://britishsciencefestival.org/event/seeing-is-believing/ Book Tickets here https://britishscienceassociation-tickets.ticketsolve.com/ticketbooth/shows/1173626542
It was fascinating to run a workshop on the strange face illusion during the Manchester Vision Network 2022 Research Showcase with many scientists from a range of different fields... NEXT UP: British Science week Sept 14th 2022 "..the fifth staging of this annual event provides a multidisciplinary forum for clinicians (including ophthalmologists, optometrists, orthoptists and specialist nurses), researchers and technology developers interested in ophthalmic and vision science. Our main aim is to stimulate individuals from different fields to exchange ideas and potentially establish fruitful collaborations... More info... Mirrors ready for the workshop Mirror Gaze Experiment - Experience in progress...
Exploring the nature and origins of the first National Park and its boundary. I have been commissioned as part of the GUIDEline project by Glassball Studio. Over the summer Alison Lloyd and I will be working alongside Glassball, continuing a conversation that started back in 2021, bringing our practices to the boundary of the Peak District National Park, using the Longdendale Activity Centre as a base from which to explore. Here are some outcomes, ideas and works in progress so far... Walk with Tim Cambel-Green View this post on Instagram A post shared by Dr. Antony Hall (@tonazoid) Walking with Tim - exploring these
How long does it take to imagine an action? I have been thinking about motor observation and motor imaging as part of the Experience in Action project with BEAM Lab. How does imagining or observing an action affect how we later perform that action? I know that before I do anything significant I imagine it or visualise it, a mental simulation repeating over and over many times. I will plan to make something in my head, in my own personal imaginary 3-D workspace before making it. However, I have never thought about how long these things take to imagine. In the following visualisation activities - I became aware of how my thoughts cycle in loops at speed, often viewing the situation
Joana Chicau - Chris Dobrowolski - Antony Hall - Jola Kudela - Rob La Frenais - Loré Lixenberg - Dave Lynch - Matthew Rosier - Sidney Sparks - Filipos Tsitsopoulos - Miranda Whall Inari - Linda Cassels We are in a Climate Emergency and our festival will help you consider what you can do to help. ArtBomb 22 is Doncaster's experimental arts festival and designed to help provoke debate across current environmental and ecological thinking...by commissioning world-class art to spill onto the streets of Doncaster with a programme of performance, film, music, talks and workshops across multiple sites - including the architectural jewel in the crown - Doncaster's Unitarian. View this post on
These workshops took place at the School of Digital Arts (SODA) as part of the 'Co-Lab' unit, which is intended to get students working collaboratively across disciplines (Game design/sound/future media/film/photography). The 'messy interface' brief asked students to address the complex interface between real and unreal. My workshop was designed to get students working together and thinking about how our senses interact and how we can hack, or creatively disrupt the sensory interface. We looked at the long history of perception-changing technologies; from the microscope to early VR experiments, and the many strategies both artists and scientists have used to disrupt these technologies. After exploring some perceptual illusions and discussing our experiences, participants designed their own multisensory experiments that restricted, augmented,
Highlights from a workshop using ferrofluids with young people as part of National Saturday Club for the Photography dept. at School of Digital Arts (SODA). Ferrofluid is a fascinating material with alien-like behaviours. We used macro lenses and experimented with moving magnets using a motor and adding inks and dyes with mesmerising results. If you are interested in this workshop please contact me info(at)antonyhall.net
Proximity Collective In Residence at Rogue Project Space: 11th April - 5th May 2022 Proximity is a collective of 6 artists interested in the spatial and social elements of practice-as-research (established May 2019). Through a series of in-person residencies across the north of England and regular virtual meet-ups, we have developed our approach of “convivial aesthetics” and provide one another with professional, creative, and emotional support. During our residency at Rogue Project Space we will continue to explore different ways in which our proximity to each other can create new ideas, ways of thinking, and strategies for making and thinking art. View this post on Instagram
Sunday 12th June 2022Highfield Country ParkDrop-in events between 10 - 10.30 pm. We need your help! A BioBlitz is an intensive collaborative race against the clock to document as many different living things in a defined area within 24 hours [from huge trees to microorganisms]. Join artists and scientists and other local nature enthusiasts at the Bee Sanctuary, Highfield Country Park. Learn about nature recording identifying plants and animals, and help contribute to scientific research. Bring your phone to take photos, download the iNaturalist app and make an account. Everything you record on the 12th of June in Highfield park will count towards our Bioblitz event database. Or just come along and explore Highfield and enjoy nature. 10 am to 4 pm:
This page has some notes and background info on the activities and experiments we are employing for the Experience in Action project with Body Eyes and Movement (BEAM) Lab at the University of Manchester. As part of my PhD research, I ran a number of workshops on perceptual illusions (all inspired by research at BEAM Lab and conversations with Dr. Ellen Poliakoff who also acted as one of my PhD supervisors) . The workshops often used the Rubber Hand illusion (RHI) and its many variations as a starting point. I gave participants instructions and asked them to experiment with different stimuli materials and arrangements and devise new experiments of their own. I found that observing participants experimenting and playing with ideas,
Art & Maths: Imaginary Numbers, the Haptic Sublime and the Art of Solving Problems Annie Carpenter, Anthony Hall, Michelle Harrison, Matthias Heil, Andrew WilsonFrom a mathematician’s point of view, solving a problem is not simply about the end result, it could be about finding a novel or elegant way to get there. The group presents artefacts related to a question they have discussed at length - is solving a new maths problem like setting a new climbing route? They admit to being no closer to answering this question but the journey has been an interesting one.
Manchester Art Gallery Easter workshops with Antony Hall and Aled Roberts 6-16/04/22 This was a series of 7 workshops at Manchester Art Gallery as part of the Field Station project. Aled Roberts is a material scientist developing bio-materials made from non-toxic waste products as alternatives to cement that can be used to capture carbon(or even as a building material on mars). Cement and concrete account for 8% of global greenhouse gas emissions. For comparison, the aviation industry accounts for 2.5%. In the workshop, we created and tested new bio-composite materials. Some super-strong materials were invented alongside many explosive failures. This was a fantastic workshop which engaged families, children and adults equally. Many great conversations were had in relation to climate change
During a residency with Gallery Oldham (2021) I worked with bryological (moss) specimens collected from the local area 150 years ago. This inspired a series of meandering walking workshops focused on revisiting and recollecting mosses from my local area. Meandering is a form of walking fieldwork where participants engage in a series of “focused distractions”—activities like collecting, sampling from the environment, and microphotography—to redirect their attention and uncover alternative perspectives. These workshops explore Manchester's post-industrial and regenerated urban spaces. By employing macro photography and ground-level perspectives, we investigated overlooked areas and subtle aspects of the urban environment, encompassing both architectural and biological elements, as well as human and non-human interactions. Participants also collected small samples of moss to create micro-terrariums, serving
Platt Hall and Garden Open Day Saturday 2nd April Field Station set up outside the wonderful Platt Hall as part of their open day. I invited people to take part in an intensive BIOBLITZ. That is, documenting all living things in the area, from trees to moss and microorganisms. We placed a series of quadrants [square metres] to see where the most biodiverse sites are around the building]. I shared techniques for hunting and documenting creatures and provided ID resources; microscopes and macro-lenses to get close-up views of what we found. All the results were logged throughout the day on iNaturalist. See https://uk.inaturalist.org/projects/field-station-bioblitz-at-platt-hall Images from the BioBitz at Platt Hall and some wildlife recording prep at Debdale park a few
