My alloy backpack arrived and has proved perfect for the job of supporting a laptop and a 2m long boom. As an object, It certainly has a vintage feel and a clear aesthetic reference to Roman Signer. this seems entirely appropriate, something about the strangeness of the endeavour as well as the metaphorical notions of escape and travelling through the imagination.
From the field research trip to the Middlewood Trust, I developed a set of goggles with a small hole and slot apertures. Participants report different perceptions of time and space, and of sound and distances. I thought I had walked for a great distance, only to find I had only moved a few meters. One participant spoke of having 'microscope eyes' and how 'the closer you get to things, the less you can see of them' focussing and depth of field also become more apparent. Here is the extract from my experience: "Seeing through the small aperture also had the effect of making things seem like an old movie [grainy and soft-edged]. After wearing these for a while, I could hear others
The Ganzfeld [ 'total field' ] experiment is a form of perceptual deprivation, giving an experience of a uniform field of light [More information here] . has become a staple activity in my workshops. Rather than sitting still and listening to sounds I have been opening this up as a mobile activity, or 'navigation' as I have started to call it. It serves as an icebreaker, often requiring people to work in pairs to move through spaces, following ropes or sonic stimuli. The purpose is to heighten the participant's awareness through altering their perceptual experience of space. Participants become aware of new structures of light or start using the body in a different way in order to move, becoming more
Speaking with an artist while making plans for a future Action Lab, I came up with the idea of making these lenticular glasses [Above], which use a lenticular lens [textured with lines or ridges] which have the effect of dividing the visual field into lines. In an urban or interior space, vertical and horizontal lines are common. These become enhance or reduced depending on the orientation of the lens. Using the lens in a vertical alignment, steps become invisible, but when the lens is rotated they become enhanced. Using a combination of both things get even stranger. Point light sources create strong bright lines. I have yet these in a natural environment.
I teamed up with artist Annie Carpenter to pull together a small group of artists and friends for a night of ‘fieldwork’. We organised an overnighter to do some experiments and have discussions together in the relaxed atmosphere of Middlewood Trust study centre; an off-grid permaculture farm. I had worked here before with [Annie and Sam Illingworth] doing some workshops with their students on a previous 'field research' style project. The concept captured my interest. We wanted to create a situation where we could work as well as have time and space to chat about ideas with others. I decided rather than drive my car, I would take a few days out and make a road trip out of it and cycle.
I met Martin Howse in 2009 when he invited me to do a workshop for his micro research series in Berlin. At the time he had a fantastic apartment with a large garage space for a studio. The large table at its centre became sprawled with electronics by the end of the day. I had the opportunity to take a look at some of his projects, wonderful hand-drawn circuits burnt and encrusted that looked more like remnants from some other device of unknown function. For this workshop we investigated Amplitude Modulation, turning light into sound, use of the LM chips as an amplifier and using light sensors as an input, and making LEDs and lasers transmit sounds and signals through light