Making as Paradox Events / News Notes and writing by antonyhall - October 24, 2019October 12, 20200 I am pleased to be an invited speaker at the annual AHRC Student Conference, which will be held at the Baltic Centre for Contemporary Art, Newcastle. Here is the info... "The annual AHRC Student Conference, Baltic Centre for Contemporary Art, Newcastle, on 26th October 2019 from 10:30 till 16:00 A conference for practice-based research in Art, Design and Craft. This conference for practice-based research in Art, Design and Craft aims to provide a dynamic forum in which to explore new ways of creating knowledge through practice, with a particular focus on the disruption of technology in our made environments. The conference will contain a day of presentations, discussion and debate around contemporary themes that draw on the paradoxes of making today and by doing
Seven Practical experiments ART Events / News Workshops by antonyhall - October 21, 2019January 15, 20230 Images from 'Seven Practical Experiments' workshop as part of Sum total of all the actions at Rogue artists studios. 1: Feldenkrais - See notes on the inwardly generated image (by deformation of the eyeball) 2. Anomalous perception scale Spontaneous sensations 3: Action intention paradox [See developmental notes] Alien hand 4: Concerning the inwardly generated image [See notes on Ganzfeld variation 1] 5: You are the object of your own observation [See notes on the mirror gaze experiment] 6: You are the object of your own observation. Mirror Gaze experiments in near darkness. 6: Perception without object [The perception of spatial relationships in respect to the orientation of one's body despite distracting information] See notes on Ganzfeld variation 2 7. The permanent possibility of experience. An based on the experiments of Ernst Mach [Notes to come]
On the inwardly generated image ART Workshops by antonyhall - October 21, 2019March 20, 20210 A visual perception activity based on an Eyeball ATM [awareness through movement] an activity used in Feldenkrais [Teresa Brayshaw led the original session at the [Re]Action lab atLMJU] This session had the addition of generating phosphines in the eyeball through excitation and deformation of the eyeball.
Concerning the inwardly generated image ART Workshops by antonyhall - October 21, 2019April 30, 20210 Ganzfeld variation 1 from 'Seven Practical Experiments' workshop
Testing the autoscope ART Work in progress by antonyhall - October 10, 2019May 10, 20210 Extracts from an experiment/performance with the Autoscope, to see if the feeling of disembodied/remote presence is amplified through taking on a challenging physical task, and to explore how this affects our perception of the landscape. Thanks to Andrew P Brooks for film and photography. "Autoscope builds on laboratory-based simulations of out of body experiences; the portable device allows the participant to freely navigate the world, experiencing themselves in 3rd person, as part of the landscape via a live video feed to a head-mounted display. The visual mechanisms are important in this illusion, but tactile and sonic stimuli further strengthen the effects. https://www.youtube.com/watch?v=yY7bs2Lih0Y&t=386s
Science re-imagined through the lens of somaesthetics Notes and writing by antonyhall - October 5, 2019October 5, 20190 I find it helpful to think of physical metaphors to represent the research process. A phrase that comes up a lot in academic writing is this notion of an event or phenomenon through a 'lens'. How adopting a theoretical viewpoint can shed new light on a subject / revealing new meaning and understanding. In my own research, I have been interested in ‘somaesthetics' as a theoretical framework for my project. Science re-imagined through the lens of SOMAESTHETICS as illuminated by artistic research Somaesthetics, as defined by Richard Shusterman, foregrounds bodily perceptions and practices and how these contribute to knowledge and our construction of reality (1) specifically ‘pragmatic somaesthetics’ includes training and harnessing bodily experience. Furthermore, its practical element endorses bodily practice. This would