This diagram [a work in progress based on Fazey and Hardy, 1988] shows how sudden shifts in behaviour can arise from small changes in circumstances [See Rene Thom – catastrophe theory]. It is used here to explain the process of how increasing cognitive and somatic anxiety might lead to feelings of depersonalisation numbness or panic…
Notes
Reflections and thoughts from conferences and meetings and discussions
Questionnaire results
Re-Action
A ‘Re/Action’ is a form of experiential art which resembles a workshop and consists of a series ‘actions’ performed or experienced by participants who interchange between roles of experimenter and audience. The focus is on reflection and introspection, for both the experimenter and participant. The process should generate new questions and evolving iterations for future…
Tabletop Experiments
A manifesto to celebrate 20 years of Tabletop Experiments. 1. The Tabletop Experiment is essentially amateur and DIY in its endeavour. It concerns science as recreation and as a practice that necessitates its own re-creation. 2. It is assembled from items readily available in the home, domestic technology; kitchen utensils, liquid soap or aquarium parts…
Proximal Osmosis Collaboration
Osmosis is the gradual permeation of ideas between different fields. It implies a passive slow diffusion, an unconscious assimilation of knowledge. In biology it is a process by which molecules tend to pass through a semi-permeable membrane from a less saturated medium into a more saturated one. This leads to two mediums of equal saturation…
Science re-imagined through the lens of somaesthetics
I find it helpful to think of physical metaphors to represent the research process. A phrase that comes up a lot in academic writing is this notion of an event or phenomenon through a ‘lens’. How adopting a theoretical viewpoint can shed new light on a subject / revealing new meaning and understanding. In my…
Proximity day 1 experiment 1
Williams Clough ascent using Autoscope
Extract from notes on a day testing the Autoscope with Photographer Andrew Brooks. Images are Screenshots from VR Google perspective “…This particular ascent provides a satisfying sense of progress for the user of the autoscope. Its steep angle means that the future terrain is more easily predicted underfoot. [As noted previously, to descend is more an act of risk or trust]…
Wanderer above the sea of fog
Notes from a day testing the Autoscope with Andrew Brooks. Here is our nod to the painting “Wanderer above the sea of fog” by Caspar David Friedrich 1818. The painting Juxtaposes ‘Man’ and his mastery of nature while simultaneously being a small and insignificant element of the overall landscape. The other mechanism at work is this inverted gaze; We see the back…
‘Body up’: Current trends and future directions in embodiment and social interaction
Perspectives from neuroscience, clinical & experimental social psychology and new technologies Notes from the Body up Conference UoM 13th June 2019 https://bodyupmanchester.wixsite.com/uomconference Our behaviour and self-perception effect the way in which we see others. We read others body language in order to make judgements on their thoughts and feelings. New research suggests Autistic individuals move…
6 finger and shrunken Finger illusions
Roger Newport gave a talk on his research at the Body Up conference last week. [See work with the MIRAGE box here Augmented Hands] Speaking to him afterwards, he asked if I had ever experienced the 6 finger Illusion? He reached into his bag and revealed a mirror which he placed on the table. Placing…
Ganzfeld and Mirror Gaze
1-1 experiment sessions in the studio I invited participants to come to my studio to take part in phase 2 of my research. This opens up to using the Ganzfeld and the Strange Face in the Mirror Illusion. Both use white noise connected to a system of biofeedback, using Galvanic skin response signals to subtly…
Mirror Gaze Box
A rapidly prototyped blackout box for the mirror gaze box, this is to create a dark space for the Mirror Gaze Experiment. Inside is an Infra Red LED spotlight and modified web camera. The camera films the participant in real time from behind a two-way mirror, as they experience the illusory effect of sensory deprivation.
Experience in progress
When I was visiting a French laboratory (CNRS) back in 2007 to do some research on electrogenic fish, I noticed a sign on a laboratory door saying “Expérience en cours” (the actual meaning being ‘experiment in progress’) but this formed a thought in my head: whose experience? That of the entity being experimented upon (…
Synanet workshop: Disrupt Encode Consolidate
Notes for the collaborative Art & Bio-science Workshop at Lancaster University, UK on Monday 17th to Wednesday 19th December 2018 I had a very interesting 3 days at Lancaster University participating in the Synanet workshop. The idea was to bring together interdisciplinary practice across the sciences and arts, to explore ideas in neuroscience research and BioArt. The workshop…
Psychometric tests
I took part in a study at BEAM LAB as a ‘neurotypical control subject. This was my first experience in experimental psychology as a participant. I found this deeply significant for my research; actually experiencing the full process of an experiment in the context of a lab. There were a number of questionnaires and tasks….
Rubber/clay Hand experiment UoM
I supported some seminars on the Rubber Hand Experiment with undergraduate psychology students, presenting some of my research ideas [unfeasable objects and the Clay Hand Experiment] The idea was they experience the experiment for themselves before designing their own.
Fieldwork under the ‘Darkest sky’
Eye tracking in arts research
Notes from the Digital Humanities, Human Technologies / AHRC NWCDTP Postgraduate Conference 2018 / part 1 https://nwcdtpconference2018.wordpress.com/home/ John Merrill [MMU] presented his project; Portrait as Landscape: Rendering the Unseen surface of the face. He explained some ideas behind visual perception and the evolution of the eye, and its flaws which were a great introduction to…
Meeting With Sally Linkenauger
Notes from a meeting With Sally Linkenauger Lancaster University Psychology Dept. After discovering Sally’s research at the BRnet conference I wanted to experience her experiments, so I asked if I could visit her lab. The VR lab looks like a normal office space, PCs scattered around the outside, and loads of VR tech hanging around. On…
The Multi-faceted body
A few notes from the BRnet Conference the Multi-faceted body. June 2018, Heriot-Watt University, Edinburgh, UK I felt strangely at home among so many research projects that use the hand as a model for the wider issues of body representation and ownership. Keynote speaker Mel Slater’s talked about his playful and engaging research. Slater’s work…
Fieldwork / Night walk
I teamed up with artist Annie Carpenter to pull together a small group of artists and friends for a night of ‘fieldwork’. We organised an overnighter to do some experiments and have discussions together in the relaxed atmosphere of Middlewood Trust study centre; an off-grid permaculture farm. I had worked here before with [Annie and Sam…
Tactile Anchoring Device Prototype 1
Here is my prototype device intended to help autonomously generate the ‘invisible hand illusion’. For this experiment, I created a series of brushes which rotate at different speeds stroking empty space. The idea was that the participant watches this device, while the brushing motion is replicated one their real hand hidden nearby. This is building…
“On the embodiment of a discrete volume of empty space”
As I mentioned before [Illusions of Invisible, alien hands, 3 arms, and shrinking bodies…] The Invisible Hand Illusion is a version of the Rubber hand illusion which uses no fake rubber hand at all. Instead, the participant focuses on an empty space in place of their hand. Sometimes a handless stump, and as a control, a wooden plank. they found…
Poster – BRnet Conference 2018
Making Immersive Experiences
“ What do new immersive technologies, such as augmented reality, virtual reality and artificial intelligence, offer storytellers and makers? And do they change the stories we choose to tell audiences? Two internationally renowned digital storytellers and makers present their latest creative projects and help us to find answers to these questions.” Notes from ‘Making Immersive…
Drawing the unfeasible objects
I chose to draw each clay object created for the unfeasible objects experiments. Why? The photographs don’t seem to do justice to the significance of the object, its purpose and the process its undergone. Both with my self and the participant. They say drawing itself is a form of embodiment. “In the gesture of a…
Fish-brain-machine / Radiona workshop
After constructing the Fish-brain-machine PCB circuits we spent some time experimenting and describing the hallucinogenic visuals created by the stroboscopic light. The ping pong balls over the eyes diffuse the LED light, making for a more intense effect – and enabling use with eyes open. Here they describe some of the effects including seeing colours and ‘a strange experience’ of seeing…
Spontaneous sensations
Possibly one of the simplest experiments possible to conduct, requiring no special equipment. Simply stare at your hand for 5 mins. The experiment is described in the paper “the tickly homunculus and the origins of spontaneous sensations arising on the hands” in which you focus on your hand while staring at it (convergent focusing) or divergent focusing…
Strange face illusion with two-way Mirror feedback
Mechanically Augmented Reality
When I first learned about the Rubber hand illusion [RHI] I immediately began to think about ways in which the process could be automated to create an artwork, in which the experimenter’s presence was removed. This could be done using sensors and a microcontroller to articulate solenoids to tap fingers for example. That thought train was on a back burner…
On the embodiment of unfeasible objects
Further to my last post detailing experiments relating to the embodiment of invisible and even third hands, here are some notes on my first ‘Clay hand Illusion’ experiments… The ‘Rubber hand illusion’ shows it is possible to convince participants that a rubber hand is their own by placing it in front of them while stroking…
Drawing a strange face in the dark
Shortly after my experience of the “Strange face in the mirror experiment” I made these drawings in low light conditions as a way of recording the perceivable elements of my face and shape of the head. The particles of carbon and graphite reflect well the visual noise, like static, one experiences in the experiment. These drawings don’t illustrate…
Mixing object actions and context
This research looked at how we respond to the observation of actions and how the context affects our neural processing of that action. I was fascinated to learn simply by observing an action with an object that can be potentially used for an action – such as a potato peeler – the brain seems to simulate this action….
Is it art if no one can see it?
As an art student, I became interested in the transformative power of the gallery and the simple mechanism of the plinth, literally elevating an object placed upon it to the status of art. I wanted to explore how these mechanisms affect the way people look at things and behave in the gallery. Artists are in a…
Enki Manchester Science Museum
Some of the early experiments for the Enki project at Museum of Science and Technology Manchester 2006… We recorded brainwave data and monitored the behaviour of the electric fish during the experiment. The electrical activity of the fish is experienced as sound and light via ENKI (a stroboscopic high frequency led placed close to eyelid)…
Miniature rubber hand experiment
I bought this miniature rubber hand from the welcome trust shop and tried a quick experiment with my 8-year-old son on the train home. I was amazed it seemed to work almost instantaneously. I wonder if it’s his extremely tactile nature makes him susceptible to the illusion? In relating to my ideas around experimenting with…
Clay hand experiment #1
The Sensorium of Animals
Electroreception in Experimental and Historical Media and Design Research. I was pleased to be invited to take part in this project along with an interesting selection of artists working with sound animals and the invisible world of signals as well as a cognitive neuroscientist and an expert in electric fish… “This research project explores the…
DIY Neuro stimulation
Reposted from my other blog 2009… I think the discussion around Michael Persinger’s God helmet experiment was really interesting. I had to act on this and investigate the realm of experimental psychology further. I got in touch with him to ask some questions about the technology and the experimental process. I asked if I could make…
Amplitude Modulation Workshop
I met Martin Howse in 2009 when he invited me to do a workshop for his micro research series in Berlin. At the time he had a fantastic apartment with a large garage space for a studio. The large table at its centre became sprawled with electronics by the end of the day. I had…