Climate change awareness project with Manchester Art Gallery. Between January to April 2022 I am developing a resource [called Field station] and drop-in workshops [100m2] for families with Manchester Art Gallery taking place 23-26th February and easter half term 6-9th 13-16th April. "The concept is a simple one, agree to re-wild* 1 m² of land (or whatever you can manage). This could be creating green space and increasing biodiversity in your existing garden, by growing insect-friendly plants, introducing moss on your lawn, cultivating wildflowers, planting a tree, making a small pond, a vertical garden or a series of pots, or becoming a custodian adopting a square meter of land [or more] and care for it." How: 1] Attend a workshop, explore the microscopic worlds
para-lab Perception Group: Antony Hall and Ellen Poliakoff.The perception group explore the creative possibilities of re-creating experimental psychology within the context of an expanded [collaborative and interdisciplinary] art practice. The group work with aspects of sensory deprivation and multisensory illusion ( the clay hand illusion, ganzfeld and strange face illusion) which combine touch sound and visual elements. Artefacts include outcomes from the 'Experiments in art and perceptual illusion project' a PhD project by Antony Hall based on collaborative work with experimental psychologist Ellen Poliakoff. The exhibit consisted of workshop editions resources, instructions, diagrams and a collaborative research paper co-authored by Hall and Poliakoff [More information on para-lab report 2021 here...].
Thu, 23 September 202110:00 – 14:00Location: Manchester Science Park, Bright Building, Pencroft Way, Manchester, M15 6GZV During this workshop, you will be guided through several activities and perceptual illusions to focus the senses before building objects for the ‘Clay Hand Experiment’ and the ‘Unfeasible Object’ experiment. The CHI is based on the Rubber hand illusion; only in the CHI and Unfeasible object experiments, participants build their own hand and other non-hand like objects rather than using a replica rubber hand. Using clay, it is possible to distort and manipulate the clay beyond the form of a hand and create different degrees of ‘unfeasible objects’ and attempt to embody these as part of our own body image. The workshop explores the possibility
para-lab invite you to join us as we come together to display and discuss a series of ongoing collaborations between artists and scientists. The report will be presented through artefacts accumulated from the process of collaboration, as well as workshops and a mini-symposium (free) registration on Eventbrite) to contextualise the work. The weekend acts as a marker along the path of long-term, open-ended collaborations and a platform for the participants and the public to get together in real life after so long operating only online. Open to the public: Rogue Project Space, Thursday 23rd September, 6 - 8Saturday 25th September, 11- 5, Sunday 26th September, 12 - 4.
PROXIMITY; An enquiry into the spatial and social elements of practice as research. Anne-Marie Atkinson | Ann Carragher | Antony Hall | Jackie Haynes | Rebecca Howard |Sarah-Joy Ford. 26 Aug – 16 Sept* *Window Gallery visible 24/7 *Upper Floor Project Space open Fridays and Saturdays 11-4pm or by appointmentProximity is a collective of 6 artists interested in the spatial and social elements of practice-as-research (est. May 2019). We have met online weekly since lockdown began, and have developed our approach of “convivial aesthetics” in the virtual realm. Through these meetups, we have provided professional, creative, and emotional support for one another – spending more time in proximity to one another, digitally in each other’s homes. Together we have taken part in several residencies, where our proximity
The Workshop as Art: Insight Into the Subjective Experience of Perceptual Illusion Through an Expanded Art Practice Exhibition of works submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy This virtual exhibition presents a new body of work exploring perceptual illusion and the workshop as a form of art. The workshops explore the effects of simulating illusory experience through combinations of sound, light and touch, as well as sensory deprivation. The workshops highlight the extreme subjectivity of everyday experience and raise some more unusual questions: What is it like to be invisible? What is it like to be outside of our bodies? Or to embody an and entirely unfeasible object? And what is the role of imagination
A Live feed (the sound of woodlice eating and communicating) as the keynote presentation for the 'Hopsitality' symposium/conference 2021. This text talks about how this came about, and outline the presentation and details of the 'paper' that was produced. As part of 'Hospitality' a residency project with Proximity hosted by the UoC Fine Art writing group, a conference was organised as a final outcome and reflection on the project. The idea was that we would speak about our various practices and explore cross overs concerning the theme of Hospitality. Unfortunately, as the deadline drew near, we found ourselves having to find a keynote speaker at the last minute. At the time, I had been working on some sound recording experiments, listening
I will be doing a 3-month residency [funded by the NWCDTP (North West Consortium Doctoral Training Partnership) at Gallery Oldham (May to July 2021). I will be working in response to plant specimens in the natural history collection, specifically Moss (or even more specifically 'bryophytes' and other plants without roots). Since access to the gallery will be limited for some time, I will be working at distance (walking and cycling) revisiting historical sites of collection and re-collecting specimens. I will be talking with local experts, volunteers, environmental scientists, and other natural history enthusiasts, vital component parts of the museums as an ongoing collection process. Specimen envelope: cinclidioidesBryophyte Book Images of objects from the Gallery Oldham Natural History collection, Thanks to Patricia
I was honoured to be invited to contribute to WEDDING RITUAL an amazing curatorial project by Wes White / Wes Viola. I wrote about something Old [Plinth with unseeable object] Did something new [See the obscurist edition], proposed something borrowed and invented something blue [sort of]. "...Antony Hall is an extraordinary artist, experimentalist and thinker. His work frequently plays with our perception of reality, sometimes presenting as everlasting magic tricks (for example, his Perpetual Coffee Vortex and Continual Slow Drip). Hall is also one part of Owl Project, the sound-art collective responsible for the iLog, at least one incarnation of which Bjork is rumoured to have added to her collection of instruments. The ENKi project explored the limits of human interaction with electric fish. I was fortunate to study at Strode College with Tony (on the course now led by Duncan Cameron, then our sculpture tutor), and have followed his artistic
"In an artistic exploration, clay hands and non-hand-like, unfeasible clay objects were created by the participant and used to perform an alternative version of the rubber hand illusion. Most participants felt ownership even over these unfeasible objects, raising questions about the embodied experience of objects that we make." https://journals.sagepub.com/doi/full/10.1177/0301006620948502
I was interviewed by RAH! for their Sciart podcast series. We ended up talking about some of my old works about my interest in amateur science and drawing and a little about my latest research for the PhD [Rubber and clay hands] RAH! Podcast at Manchester Met · Science and Art: Illustrating Scientific Ideas
GANZFELD Translucent White Hemispherical Domes x 2 45mm diameter. Handmade signed edition of 20. Image: Anya Stewart Maggs Images from the Proximity show at Paradis works; I created these handmade cardboard box containing two ‘Ganzfeld Hemispheres’. These are translucent white domes perfectly shaped and crafted to fit in the eye socket, with elastic strap and small ceramic bead for adjustment. Inside are a set of instructions. A signed edition of 20 was produced as a workshop resource. The work is activated through its use, and the experiences that come through its use, and continued practice. Ideally, it should be stored alongside other items in the medicine cabinet. [See the current version of this workshop - Perception without object] I also showed a series of transcripts
I am pleased to be an invited speaker at the annual AHRC Student Conference, which will be held at the Baltic Centre for Contemporary Art, Newcastle. Here is the info... "The annual AHRC Student Conference, Baltic Centre for Contemporary Art, Newcastle, on 26th October 2019 from 10:30 till 16:00 A conference for practice-based research in Art, Design and Craft. This conference for practice-based research in Art, Design and Craft aims to provide a dynamic forum in which to explore new ways of creating knowledge through practice, with a particular focus on the disruption of technology in our made environments. The conference will contain a day of presentations, discussion and debate around contemporary themes that draw on the paradoxes of making today and by doing
Images from 'Seven Practical Experiments' workshop as part of Sum total of all the actions at Rogue artists studios. 1: Feldenkrais - See notes on the inwardly generated image (by deformation of the eyeball) 2. Anomalous perception scale Spontaneous sensations 3: Action intention paradox [See developmental notes] Alien hand 4: Concerning the inwardly generated image [See notes on Ganzfeld variation 1] 5: You are the object of your own observation [See notes on the mirror gaze experiment] 6: You are the object of your own observation. Mirror Gaze experiments in near darkness. 6: Perception without object [The perception of spatial relationships in respect to the orientation of one's body despite distracting information] See notes on Ganzfeld variation 2 7. The permanent possibility of experience. An based on the experiments of Ernst Mach [Notes to come]
A manual for self-experimentation and a template for performance / A workshop on perceptual illusion and art. https://www.eventbrite.com/e/seven-practical-experiments-tickets-72221088219 'Seven practical experiments' is a new piece of work for by Antony Hall, developed through an exploration of perceptual illusion, and the methods used in experimental psychology. By taking part in this workshop, you will both 'experience' the work and 'perform' the experiments; in doing so you will become the work. The experiments will be preceded by a session of Feldenkrais led by Teresa Brayshaw. Feldenkrais is a method of enhancing self-awareness through movement and the heightening of bodily perception. Following this activity, you will then be guided through the 'seven practical experiments' and given space to reflect and discuss what you have experienced.
Workshops at Manchester City Art Gallery The aim was to deliver an engaging fun activity for all the family which related to the theme of the body and ideas around perception illusion referencing the Leonardo show as well as the Bridget Riley drawings in the Gallery. The workshop was open as a drop-in open to the general public and over the 8 days, we had around 800 people take part in total. The workshop served as an introduction to the idea of ‘perceptual and multisensory illusions’ and was based around my Clay Hand Experiment. I asked participants to work collaboratively to create their own hands and 'unfeasible objects 'with which to perform their own experiments on each other. It provided a
Documentation from the [Re]Mapping perception workshop at LJMU 2 May 2019 Here is the original invitation... A workshop for artists/researchers engaging in a wide range of practice-based and artistic research methodologies. It aims to explore interdisciplinary methods through a series of provocations in embodied multisensory experience, designed to enhance our perception and self-awareness. The workshop provides an open space for participants from different fields to meet, communicate findings, share paradigms, and explore the value of sensory perception and awareness in our research. It also offers an opportunity to meet Madeline Schwartzman and gain insight into the works discussed in her new book See Yourself X: Human Futures Expanded. Her public lecture follows the workshop [ Places can be booked here https://www.eventbrite.com/o/antony-hall-19862154602 ] [Re]Action Lab is an
Notes for the collaborative Art & Bio-science Workshop at Lancaster University, UK on Monday 17th to Wednesday 19th December 2018I had a very interesting 3 days at Lancaster University participating in the Synanet workshop. The idea was to bring together interdisciplinary practice across the sciences and arts, to explore ideas in neuroscience research and BioArt. The workshop “aimed to DISRUPT dogmatic thinking across these disciplines, ENCODE new approaches and insights through shared interactions and CONSOLIDATE these ideas through artistic expression” https://cheapjack.github.io/DisruptEncodeConsolidate/ It consisted of scientific demonstrations and hands-on activity was to provide insight into the theory and practice of neuroscience research. FMRI [functional brain imaging] behavioural analysis in mice and Fruit Fly’s and Sand Fly’s, And some presentations about the “gut-micro-biome-brain interface”. Most interestingly “ …The workshop aimed to